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Il Capitano 2 Commedia dell'Arte Theatre Mask Front View
Il Capitano 2 Commedia dell'Arte Theatre Mask Side View
Il Capitano 2 Commedia dell'Arte Theatre Mask Front View
Il Capitano 2 Commedia dell'Arte Theatre Mask Side View

Il Capitano Commedia dell’Arte Mask - Straniero

£75.00

IL CAPITANO - CHARACTER TRAITS

  • Loud, boastful braggart who exaggerates his achievements.
  • Obsessed with appearing brave, heroic, and desirable.
  • Terrified when actually confronted with danger.
  • Large, swaggering posture that collapses quickly under pressure.
  • Motivated by admiration, ego, and self-image rather than reality.

PRODUCT FEATURES

  • Durable and lightweight Il Capitano Commedia dell’Arte mask.
  • Made from high-impact plastic for long-lasting use.
  • Hand-painted to a professional performance standard finish.
  • Includes black elastic strap and foam pads for comfortable fit.
  • Suitable for both professional and student use.
  • Made to order in the UK. Ships in 20 working days.

ABOUT OUR COMMEDIA MASKS

Rooted in the vibrant tradition of Italian street theatre, our Commedia dell'Arte masks are made from high-impact plastic, making them durable, lightweight, and comfortable to wear. Each mask represents a classic stock character and is designed to provoke the exaggerated physicality and emotional expression that brings Commedia characters to life.

These masks are ideal for performance and invaluable tools for workshops and actor training.

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THE IL CAPITANO CHARACTER IN COMMEDIA DELL’ARTE

Il Capitano is the braggart soldier: loud, theatrical, and overflowing with exaggerated tales of military triumphs and romantic conquests. He presents himself as a fearless warrior and irresistible seducer, but beneath his grand speeches lies deep insecurity. His elaborate uniform and dramatic swagger mask a heart that is easily startled, revealing that his bold persona is more performance than truth. In essence, Il Capitano is the comedy of inflated ego exposed.

IL CAPITANO’S RELATIONSHIPS AND MOTIVATIONS

Il Capitano usually arrives from a distant land, introducing himself with a dramatic, self-aggrandizing title far longer than necessary. He may seek favor with Pantalone, admiration from the audience, or affection from Colombina, all while attempting to outshine Il Dottore with stories of heroic achievement. However, he is quickly undone when challenged, frightened, or confronted with real danger. His motivations are driven by the desire to be admired — and the fear of being revealed as a fraud.

IL CAPITANO IN PERFORMANCE: PHYSICALITY AND MOVEMENT

Il Capitano’s physicality is bold, expansive, and commanding — until the mask slips and his cowardice emerges. He stands tall, chest forward, strides wide, and gestures with confident flourish. His movements are sharp and imposing, designed to convince others of his prowess. But the moment he is threatened, his body collapses inward: legs buckle, arms flail, and his proud voice breaks into squeaks or whimpers. The comedy comes from the sudden collapse of grandeur into panic — a hero undone by his own act.

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